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Maaret KoskinenProfessor emerita

Om mig

Jag är professor emerita i filmvetenskap. Bland mina senaste publikationer återfinns Ingmar Bergman at the Crossroads. Between Theory and Practice (Bloomsbury Academic 2022, samredigerad med professor Louise Wallenberg), med bidrag av bland andra Ang Lee, Atom Egoyan, Katinka Faragó, Paisley Livingston, Margarethe von Trotta och Linus Tunström; samt Now About All These Women in the Swedish Film Industry (Bloomsbury Academic, 2023) tillsammans med Frantzeska Papadopoulou, Tytti Soila och Louise Wallenberg. Utöver min verksamhet inom forskning och undervisning har jag även verkat som filmkritiker i Dagens Nyheter (1981-2011), som ordförande för Filmkritikerförbundet samt ledamot i Guldbagge-juryn, och har även suttit i ett antal styrelser, däribland i Granskningsnämnden (2003-2006), i styrelsen för Filminstitutet (2011-2016) samt som ordförande i styrelsen för Filmakademin (2016-2018).

Publikationer

I urval från Stockholms universitets publikationsdatabas

  • Ingmar Bergman at the Crossroads: Between Theory and Practice

    2022. .

    Bok (red)

    Ingmar Bergman’s rich legacy as film director and writer of classics such as The Seventh Seal, Scenes From a Marriage and Fanny and Alexander, has attracted scholars not only in film studies but also of literature, theater, gender, philosophy, religion, sociology, musicology, and more. Less known, however, is Bergman from the perspective of production studies, including all the choices, practices and routines involved in what goes on behind the scenes. For instance, what about Bergman’s collaborations and conflicts with film producers? What about his work with musicians at the opera, technicians in the television studio, and actors on the film set. What about Bergman and metoo? In order to throw light on these issues, art practitioners such as film directors Ang Lee and Margarethe von Trotta, film and opera director Atom Egoyan, and film producer and screenwriter James Schamus, are brought together withacademics such as philosopher and film scholar Paisley Livingston, musicologist Alexis Luko, and playwright and performance studies scholar Allan Havis, to discuss Bergman’s work from their unique perspectives. In addition, this book provides, for the first time, in-depth interviews with Bergman’s longtime collaborators Katinka Faragó and Måns Reuterswärd, who both have first-hand experience of working intimately as producers in film and television with Bergman, covering more than five decades. In an open exchange between individual and institutional perspectives, this book aims at bridging the often-rigid boundaries between theoreticians and practitioners, in turn pointing Bergman studies in new directions.  

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